The River Merchant's Wife: A Letter
Ezra Pound
While my hair was still cut straight across my forehead
I played about the front gate, pulling flowers.
You came by on bamboo stilts, playing horse,
You walked about my seat, playing with blue plums.
And we went on living in the village of Chokan:
Two small people, without dislike or suspicion.
At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked back.
At fifteen I stopped scowling,
I desired my dust to be mingled with yours
Forever and forever and forever.
Why should I climb the lookout?
At sixteen you departed,
You went into far Ku-to-en, by the river of swirling eddies,
And you have been gone five months.
The monkeys make sorrowful noise overhead.
You dragged your feet when you went out.
By the gate now, the moss is grown, the different mosses,
Too deep to clear them away!
The leaves fall early this autumn, in wind.
The paired butterflies are already yellow with August
Over the grass in the West garden;
They hurt me. I grow older.
If you are coming down through the narrows of the river Kiang,
Please let me know beforehand,
And I will come out to meet you
As far as Cho-fo-Sa.
Sunday, February 15, 2009
Thursday, February 12, 2009
In My Dark Chocolate Wrapper
From A Health
By Edward Coate Pinkney
I fill this cup to one made up of loveliness alone,
A woman, of her gentle [nature] the seeming paragon;
To whom the better elements and kindly stars have given
A form so fair, that, like the air, 'tis less of earth than heaven
Her every tone is music's own, like those of morning birds,
And something more than melody dwells ever in her words;
The coinage of her heart are they, and from her lips each flows
As one may see the burthened bee forth issue from the rose...
By Edward Coate Pinkney
I fill this cup to one made up of loveliness alone,
A woman, of her gentle [nature] the seeming paragon;
To whom the better elements and kindly stars have given
A form so fair, that, like the air, 'tis less of earth than heaven
Her every tone is music's own, like those of morning birds,
And something more than melody dwells ever in her words;
The coinage of her heart are they, and from her lips each flows
As one may see the burthened bee forth issue from the rose...
Wednesday, February 11, 2009
A Radically Condensed History of Postindustrial Life
By David Foster Wallace
When they were introduced, he made a witticism, hoping to be liked. She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces.
The man who'd introduced them didn't much like either of them, though he acted as if he did, anxious as he was to preserve good relations at all times. One never knew, after all, now did one no did one now did one.
When they were introduced, he made a witticism, hoping to be liked. She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces.
The man who'd introduced them didn't much like either of them, though he acted as if he did, anxious as he was to preserve good relations at all times. One never knew, after all, now did one no did one now did one.
Sunday, February 8, 2009
Is it Spring??
Today was one of those days.
You know.
The days in February, when you are just starting to think that winter is never going to end and you're never going to warm up and you can't remember what it feels like to wear less than 3 layers of clothes, and then out of nowhere it's warm enough to wear a light jacket without the fear of frostbite and hypothermia. It's warm enough to go out and instead of rushing through the biting cold, it's okay to stop and enjoy the blue sky dotted with clouds, the slightly too chilly breeze, the warm moments in the sun, and the light sent of spring on its way.
So in honor of those days in February like today, I thought I would post a Ted Kooser poem that fits quite well. I know its not quite late February yet but it's getting close.
Late February
Ted Kooser
The first warm day,
and by mid-afternoon
the snow is no more
than a washing
strewn over the yards,
the bedding rolled in knots
and leaking water,
the white shirts lying
under the evergreens.
Through the heaviest drifts
rise autumn’s fallen
bicycles, small carnivals
of paint and chrome,
the Octopus
and Tilt-A-Whirl
beginning to turn
in the sun. Now children,
stiffened by winter
and dressed, somehow,
like old men, mutter
and bend to the work
of building dams.
But such a spring is brief;
by five o’clock
the chill of sundown,
darkness, the blue TVs
flashing like storms
in the picture windows,
the yards gone gray,
the wet dogs barking
at nothing. Far off
across the cornfields
staked for streets and sewers,
the body of a farmer
missing since fall
will show up
in his garden tomorrow,
as unexpected
as a tulip.
You know.
The days in February, when you are just starting to think that winter is never going to end and you're never going to warm up and you can't remember what it feels like to wear less than 3 layers of clothes, and then out of nowhere it's warm enough to wear a light jacket without the fear of frostbite and hypothermia. It's warm enough to go out and instead of rushing through the biting cold, it's okay to stop and enjoy the blue sky dotted with clouds, the slightly too chilly breeze, the warm moments in the sun, and the light sent of spring on its way.
So in honor of those days in February like today, I thought I would post a Ted Kooser poem that fits quite well. I know its not quite late February yet but it's getting close.
Late February
Ted Kooser
The first warm day,
and by mid-afternoon
the snow is no more
than a washing
strewn over the yards,
the bedding rolled in knots
and leaking water,
the white shirts lying
under the evergreens.
Through the heaviest drifts
rise autumn’s fallen
bicycles, small carnivals
of paint and chrome,
the Octopus
and Tilt-A-Whirl
beginning to turn
in the sun. Now children,
stiffened by winter
and dressed, somehow,
like old men, mutter
and bend to the work
of building dams.
But such a spring is brief;
by five o’clock
the chill of sundown,
darkness, the blue TVs
flashing like storms
in the picture windows,
the yards gone gray,
the wet dogs barking
at nothing. Far off
across the cornfields
staked for streets and sewers,
the body of a farmer
missing since fall
will show up
in his garden tomorrow,
as unexpected
as a tulip.
Monday, February 2, 2009
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